我有毒
Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
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《我有毒》讲述的是什么故事？
《我有毒》Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
一、《我有毒》是哪一年上映的？
《我有毒》是Daniel,de,la,Vega,Pablo,Parés于2018年拍摄的一部经典恐怖片。此片开创其它当代恐怖片的先河，《我有毒》上映时票房稳坐前三，创下当年纪录。当时Esteban,Prol,Horacio,Fontova,Sergio,Podelei,Gastón,Cocchiarale,Fini,Bocchino,Verónica,Intile,Goyo,Escardó,Demián,Salomón,Rodrigo,Ferreyra均为最佳主角，Esteban,Prol,Horacio,Fontova,Sergio,Podelei,Gastón,Cocchiarale,Fini,Bocchino,Verónica,Intile,Goyo,Escardó,Demián,Salomón,Rodrigo,Ferreyra以精彩演技和突出形象，奠定在其它影坛地位。Esteban,Prol,Horacio,Fontova,Sergio,Podelei,Gastón,Cocchiarale,Fini,Bocchino,Verónica,Intile,Goyo,Escardó,Demián,Salomón,Rodrigo,Ferreyra饰演角色造型多年后仍为人所模仿。Daniel,de,la,Vega,Pablo,Parés之前曾被人怀疑其能力，而《我有毒》却奠定Daniel,de,la,Vega,Pablo,Parés恐怖片风格。
二、被称为恐怖片开先河之作的《我有毒》，是Daniel,de,la,Vega,Pablo,Parés最好的作品吗？
从Daniel,de,la,Vega,Pablo,Parés斩获恐怖片最佳导演，我就觉得这部《我有毒》是他最好的恐怖片。虽然后来还拍出了评价特别好的作品，但《我有毒》依然是其代表作之一。
三、《我有毒》为什么可以成为经典？
提起其它影视，人们常会说出《我有毒》的名字。这部由Daniel,de,la,Vega,Pablo,Parés导演、Esteban,Prol,Horacio,Fontova,Sergio,Podelei,Gastón,Cocchiarale,Fini,Bocchino,Verónica,Intile,Goyo,Escardó,Demián,Salomón,Rodrigo,Ferreyra主演的作品，在当时真的是一匹黑马。凭借扎实表演与叙事节奏，《我有毒》获得广泛好评，也成为许多观众的经典记忆。
四、如何评价《我有毒》？
《我有毒》口碑优秀，剧情紧凑，观感流畅。你可以在 狠狠影院（didaoxiang.com）获得更稳定的播放体验与更清晰的画质。
五、《我有毒》主要内容
《我有毒》是一部恐怖片作品，由Daniel,de,la,Vega,Pablo,Parés执导，主演：Esteban,Prol,Horacio,Fontova,Sergio,Podelei,Gastón,Cocchiarale,Fini,Bocchino,Verónica,Intile,Goyo,Escardó,Demián,Salomón,Rodrigo,Ferreyra。Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
