狂野街头
Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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《狂野街头》讲述的是什么故事？
《狂野街头》Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
一、《狂野街头》是哪一年上映的？
《狂野街头》是Barry,Shear于1968年拍摄的一部经典恐怖片。此片开创美国当代恐怖片的先河，《狂野街头》上映时票房稳坐前三，创下当年纪录。当时谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯均为最佳主角，谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯以精彩演技和突出形象，奠定在美国影坛地位。谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯饰演角色造型多年后仍为人所模仿。Barry,Shear之前曾被人怀疑其能力，而《狂野街头》却奠定Barry,Shear恐怖片风格。
二、被称为恐怖片开先河之作的《狂野街头》，是Barry,Shear最好的作品吗？
从Barry,Shear斩获恐怖片最佳导演，我就觉得这部《狂野街头》是他最好的恐怖片。虽然后来还拍出了评价特别好的作品，但《狂野街头》依然是其代表作之一。
三、《狂野街头》为什么可以成为经典？
提起美国影视，人们常会说出《狂野街头》的名字。这部由Barry,Shear导演、谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯主演的作品，在当时真的是一匹黑马。凭借扎实表演与叙事节奏，《狂野街头》获得广泛好评，也成为许多观众的经典记忆。
四、如何评价《狂野街头》？
《狂野街头》口碑优秀，剧情紧凑，观感流畅。你可以在 狠狠影院（didaoxiang.com）获得更稳定的播放体验与更清晰的画质。
五、《狂野街头》主要内容
《狂野街头》是一部恐怖片作品，由Barry,Shear执导，主演：谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯。Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
